라이징 하우스: The Rising House and Sunken Courtyards

하나의 박공지붕 매스가 두 개의 원형 선큰 중정 위로 부유한다. 건축은 땅을 잊고 하늘로 떠오르며, 세장한 백색 필로티들이 그 상승을 지탱한다. 1-2층 규모의 수평 볼륨은 얕은 경사의 박공과 균등 배치된 정사각형 창들로 리듬을 새기고, 지붕면의 수평 홈은 금속 패널의 이음새처럼 선형성을 그어 넣는다. 기둥들은 원형 중정 내부로 침투하여 상부 매스와 하부 보이드를 매개하며, 그 사이사이로 반개방의 전이공간이 숨쉰다. 연회색 콘크리트 바닥은 백색 매스와 조용한 대화를 나누고, 부상하는 수평성과 침강하는 원형성이 대위법적 긴장을 연출한다. 필로티 하부는 내부도 외부도 아닌 경계의 공간으로서, 인체 스케일의 피규어들이 그 모호함 속에서 머물고 만나며 사유한다.

Directing by Jean Browwn

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🧾 Architectural Image Analysis Report

Title: Axonometric Model of a Horizontal Pilotis Structure Intersecting Dual Circular Courtyards
Type: Conceptual Massing Study
Medium: White Plaster Physical Model / Digital Rendering
Viewpoint: Isometric Axonometric View
Lighting: Soft Diffuse Ambient Light
Context: Void White Background

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1. Formal Composition

Primary Mass	A single, elongated gabled volume with shallow pitch roof. The volume is elevated on pilotis columns and stretches symmetrically across two large circular voids.
Roof	Low-slope gabled roof with delicate horizontal grooves indicating metal panel seams. Enhances linearity and horizontal axis.
Façade Treatment	Both long elevations exhibit a series of identically-sized square vertical windows, uniformly spaced. This creates a rationalized and calm rhythmic expression.
Window Proportion	Vertical rectangular windows (nearly square), regular spacing across the long façade—demonstrates modular façade logic.
Short Ends	Each gable-end includes large framed openings, suggesting entrance or portal access aligned to the central axis.
Material Expression	Entire structure is finished in uniform matte white plaster, abstracting materiality and emphasizing form over texture.

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2. Base & Ground Interface

Courtyard Geometry	Two identical circular sunken courtyards. Clean, cylindrical retaining walls form spatial voids below the floating mass.
Floor Texture	Light grey concrete-textured base within the courtyards. Slight tonal difference from main structure enhances contrast and spatial layering.
Pilotis Structure	A series of evenly spaced slender white columns penetrate the circular courtyards, supporting the gabled mass above while defining a sheltered semi-open space below. These pilotis visually and spatially connect the elevated mass with the sunken floor.
Functional Reading	The space under the elevated volume serves as a transitional, connective zone—between ground and architecture, light and shadow, void and volume. Suggests use as a circulation or gathering area.

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3. Human Scale & Use Potential

• Figure Placement: Human figures (approx. 3–4) are strategically placed inside both courtyards. One group is clustered (suggesting dialogue or informal meeting), another is solitary (emphasizing the contemplative, introspective quality of space).
• Scale Relation: The figures confirm the massing as 1–2 stories, and allow perception of volume height and proportional generosity beneath the pilotis.

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4. Architectural Intent & Interpretation

This model operates as a spatial study of:

• Horizontal clarity
• Piloti-supported lightness
• Subtractive void space as courtyard
• Tectonic rigor and repetition

The dialogue between the lifted linear mass and the sunken circular fields produces a poetic ambiguity between interiority and exteriority, use and void, boundary and openness. The central thesis of this form is to float the architecture above the site, rendering the ground as a sequence of voids and possibilities.

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🧠 Refined Image Generation Prompt (ENG)

An architectural model rendered in isometric view, featuring a long, single-story gabled volume with a shallow-pitched roof and evenly spaced square vertical windows. The building is lifted above ground by thin white pilotis columns, bridging across two sunken circular courtyards with light gray textured concrete floors. The pilotis extend into the courtyards, creating a transitional covered zone below the structure. The walls are finished in smooth matte white plaster. The composition is set in a pure white void, lit by soft diffuse daylight. Small human figures inhabit the courtyards, one group in conversation, the other solitary, suggesting varied spatial usage. The overall design emphasizes horizontal clarity, geometric rhythm, and minimalist abstraction.