Brattøra에 위치한 클래식컬 아트리움 호텔은 새로우며 강한 아이텐티로 재정의된다.
미국이나 아시아에서 흔히 찾아 볼 수 있는 단조로운 센트럴 글래스 아트리움과는
차별화되는 글래스 아트리움은 디지털 그래픽을 통한 3차원 공간 설계가 구현,
다이나믹하며 아이텐티한 공간 및 지붕형태를 창출한다.
도시의 건축적 맥락을 연결하는 호텔의 배치는 도시 및 바다를 향하여
각 객실들의 전망을 확보하는 동시에 도시와 바다를 연결하는 라이트 하우스가 된다.
여기 호텔 건축의 디자인 성향을 강하게 어필하는 슈퍼스타 로비는
저층부에서 상층부을 모두 연결하는 공용 기능 공간으로
벽난로 룸, 컨퍼런스 룸 및 외부 공원과 바다를 조망하는
유니크한 형태의 루프테라스, 스카이바를 포함하고 있다.
객실부와 공용부의 차별화된 디자인 접근 방법 그리고 기능과 디자인의 분리
호텔이 지향하는 건축의 목표점이 아닐까 싶다.
reviewed by SJ
The
hotel at Brattøra redefines the classical atrium hotel typology to a
new and strong identity. The rooms are arranged/organized in four highly
rational structures all oriented towards the perfect view. The rotation
transforms the atrium from an enclosed central space to a 3-dimensional
star shaped lobby space.
invalid-file
Architects: Space Group Architects
Location: Trondheim, Norway
Project Development Team: Gary Bates, Gro Bonesmo, Adam Kurdahl,
Anne Wodstrup, Fredrik Krogeide, Gesine Gummi, Claudia Laarman, Thomas
Bang Jespersen, Jens Niehues
Area: 35000.0 sqm
Year: 2012
Photographs: Peter Hebeisen, Courtesy of Space Group, Ivan Brodey
Competition Team: Gary Bates, Gro Bonesmo, Adam Kurdahl, Wenche
Andreassen, Fredrik Krogeide, Naofumi Namba, Tim Prins, Minna Riska,
Lotte Sponberg, Gerald Bliem, Grant Cooper and Nathan Smith
Engineering: Arup & Partners London
Fire: Reinertsen Engineering
Visualization: MIR AS, Luxigon
Landscape: : Space Group, PLAN arkitekter AS
Construction: Dr. Ing. A. Aas-Jakobsen Trondheim AS
Client: Star Property C
Unlike
the classical American and Asian hotel atrium where everything is
exposed in a centralized and vertical, magnificent but one-dimensional
experience under a glass cover – the lobby is here given a 3-dimensional
and dynamic spatial experience with a programmed roof, and a sequence
of shifts between glimpse and panorama, intimacy and spectacular
exposure.
The
hotel bears references to the local city fabric of Trondheim in the
combination between the large structural lines and the small intimate
‘ally’.The
hotel becomes a landmark without front or backside – but oriented
towards the city and the fjord for optimal views in all directions.A lighthouse by the sea and inviting from the city.
The hotel room structure is ‘dissolved’ at ground level to increase the public accessibility at ground level. The openness secures good orientation from inside and out – and internally between reception, elevators, lobby bar restaurant, exhibition area and conference. Cross connections, shortcuts and moving of common functions into the adjacent squares are encouraged: outdoor dining at the south-west faced terraces by the Brattøra basin, pause areas in the park, exhibition and entertainment can turn towards an outdoor arena and representative ‘red carpet’ entrance with fountain and stone garden are facing the city.
SUPERSTAR LOBBY, the exceptional common space of the hotel connects all the public functions from ground level to the upper floors.In the 3-dimensional lobby, the fireplace room, conference facilities and sky bar with roof terrace are shaped in a free form to take advantage of unique attractions towards the park, the Brattøra basin and the free view above neighbour buildings. The internal crystalline shape is fragmented, but vertical sacral – gives associations to dramatic ice formations with cliffs, rips and ice floes.
from archdaily