공중을 부유하는 형태는 하늘을 날아갈 것만 같은
배와 닮아 있다.
두개의 공간이 중첩되면서 발생되는
아이텐티한 공간은 내부 콘서트홀의
유니크한 형태가 더욱더 돋보이도록
하는 결과를 보여준다.
물론 외피의 면적이 많아 질수록
금액에서 부담이 오는 것은 사실이지만
랜드마크를 위해 건물에 힘을 불어 넣기 위해서는
특정 이상의 디자인 요소가 들어가야 하는 것이
사실이다.
주경에는 정형화된 커튼월을 읽고
야경에는 메시브한 컨서트홀의 유니크한 형태를
읽는 것이
이 프로젝트만의 매력으로 다가올 것이다.
Founded in 1824, Rensselaer Polytechnic Institute is one of America’s leading research universities with a reputation for creative and interactive learning and the application of information technology to education. The Experimental Media and Performing Arts Center (EMPAC) is a nexus of technological and artistic innovation and optimized performance space.
Grimshaw was selected following an international competition in 2001. On naming Grimshaw the competition’s winner, Alan Balfour, Dean of the School of Architecture and member of the jury committee, commented:
“The distinction of the Grimshaw submission was in seeing the building as an ensemble of instrumental spaces defined by technology. This seemed exactly appropriate to house the range of performances and stimulate new knowledge that Rensselaer will bring to the intersection of the arts with science and technology.”
To minimize the visual impact of the large, windowless structures (such as the flytower) that are always required in a performing arts complex, the volumes of the performance spaces flow down and into the hillside, following the topography of the site. As a result, almost half of the building is below grade.
Located on a steep hillside overlooking the Hudson River, the 200,000-square-foot building extends the existing Rensselaer campus westward. Serving the campus, the region, and the international arts community, it provides five different performance environments: a 1,200-seat concert hall, a 400-seat theater, a black box studio, a white box studio and a dance studio. In addition, the facility houses audio and video editing suites, artists-in-residence studios and the campus radio station.
Grimshaw has designed a multi-functional, multi-layered building in which performances and other activities can take place concurrently without acoustic interference. Key to the design is the atrium space, which acts a hub for informal social interaction and as the lobby to the major spaces: the theater and the concert hall.
Architects: Grimshaw
Location: Troy, New York, USA
Principals: Vincent Chang, Sir Nicholas Grimshaw, Mark Husser, Andrew Whalley
Project Team: Simon
Beames, Shane Burger, David Burke, Demetrios Comodromos, Chris Crombie,
Chris Duisberg, Matt Eastwood, Paulo Faria, Nikolas Dando-Haenisch,
William Horgan, Barbara Kurdiovsky, Kirsten Lees, Melissa Lim, Theo
Lorenz, Mariam Mojdehi, Junko Nakagawa, Michael Pawlyn, Juan Porral
Project area: 221,200 sqf
Project year: 2008
Photographs: Paul Rivera, Peter Aaron
from archdaily