*임계디자인, 디자인 판넬 [ Studio Kiduck Kim ] Bye-By-Burnside

공간이 파괴되는 움직임의 한계점을 구현하다.

캘리포니아 LA는 전세계 수많은 도시 중에서도 지진, 산불, 호우의

피햬가 많은 도시 중 하나이다. 지리적 특징에 답하는 공간이

여기 체험공간 리노베이션 프로젝트에 구현된다.

세로방향의 직교하지 않는 사선들의 집합은

예리한 예각을 갖는 슬릿한 면들을 생성,

조각난 면들로 구성된 면 -판넬-을 디자인한다.

그리고 다시 조각난 면들은 공간을 조각낸다.

이러한 프로젝트가 추구하는 것은 단순히 시각적 유희를 통한 만족감이 아니라

임계점에 다달은 곳에 위치한 진실을 찾고자 하는

간절함이 아닐까 싶다.

reviewed by SJ

‘What if a room in California – where there is constant earthquake activity – showed traces of seismic movement?’

That is the question behind Studio Kiduck Kim’s Bye-By-Burnside, an experimental room renovation project in Los Angeles, California.

Los Angeles – like many cities worldwide – is increasingly prone to natural disasters including earthquakes, wildfires and torrential rain. Architects are thinking more about designing for disaster, which for the most part means aiming for ‘acceptable’ levels of destruction rather than no damage at all.

Bye-By-Burnside speculates on what would happen if the walls and edges of a room were shifted and swayed by the forces of an earthquake. Studio founder Kiduck Kim says, ‘The project reconfigures the characteristics of the room with colliding walls to create slits and pockets for both artificial and natural light. Shuffled edges redefine the characteristics of the room with colliding walls from non-perpendicular edges’.

Flexible buildings are predominant in Japanese architecture which has always responded to earthquakes. Increasingly, design in California also incorporates structures that are designed to bend and sway but not break in the face of tectonic movement. This project addresses issues of seismic architecture on the scale of an individual room, whereas most earthquake-responsive design considers building or urban scales.

The project evaluates the creative possibilities of catastrophe and how disaster might lead to welcome aesthetic outcomes.

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from  frameweb