이번 의뢰인은 주택을 구입하면서 부엌을 바꿔 거실 쪽으로 향하고, 완전 새로운 모습을 주기 위해 새롭게 욕실을 더하는 등을 통해 모던한 쇄신을 꾀하였다. 그러나 집을 구성하고 있던 형편없이 낡은 자제들과 각각의 수준을 보잘것 없는 물질들의 패치워크로 이뤄졌던 것들을 없애는 작업부터가 난관이었다.
어려운 다수의 상황으로 인해 새로운 가능성에 대한 잠재력을 폭발 시키는 데 목적을 두고 새로운 제안이 들어갔다. 이는, 그저 2층짜리 주택이 아닌, 텅빈 한 장의 종이위에 새로운 그림을 그리는 것과 같은 과업이었다.
곧 태어날 아이를 기대하고 있는 스웨덴-스페인 출신의 젊은 부부는, 집이라함은 매우 노르망 스타일의 비전을 가져야 한다는 생각이었다. 즉, 오픈되어 있고, 매우 분명한 색을 가지면서도 기능적이어야 한다는 점이다. 그러한 취지에서 다른 여타의 가족들이 원하는 바와는 달리 이들은 주거 공간과 동떨어진 곳에 위치한 침실 구조를 원하지 않았으며, 여기에는 두 개의 욕실과의 근접도 포함하였다. 각각의 공간 간에 분명한 관련을 강조하면서 또한 융통성 있는 타협이 가능한 공간 - 그것이 바로, 주노의 집이다.
Our clients purchased a row house with the intention of doing a modest refurbishment: to renovate the kitchen, opening it to the living room, adding a new bathroom and give the whole a fresher look.
- Architects: Nook Architects
- Location: Barcelona, Barcelona, Spain
- Area: 130.0 sqm
- Project Year: 2015
- Photographs: nieve | Productora Audiovisual
When the works began, however, we detected that the quality of construction was extremely poor and that each level was a patchwork of humble materials. The floor slab of the main level almost collapsed on top of us- we then had to come to a halt and analyse the situation. A simple refurbishment had converted into a comprehensive intervention that affected the structure and envelope of the house.
Upon these difficult and unforeseen circumstances, the new proposal was based on exploiting the potential of new possibilities. This was no longer a conventional, two-level home, but a project to be drawn on a blank piece of paper.
The young and pregnant Swedish-Spanish couple had a very Nordic vision of what the house should be: open, luminous and functional. Unlike most families, they did not have the need to isolate the bedroom from the rest of the living spaces, except for the two bathrooms. They wanted to strengthen the visual relationships between each space and distinguishing their use without compromising versatility.
This led us to work from the section since the beginning. Instead of segregating the spaces between two simple levels, we placed the light staircase cross-wise to the main length of the plot and dislocated the section by misaligning the slabs and generating middle floors that allowed the light to flood in all the way to the back. This also allowed us to place Juno’s bedroom mid-way up, in a central position to ease the mothers’ supervision from the main room and the studio.
The entrance lies on the back of an exterior, long and narrow passageway, so the entire volume is oriented towards a single façade on the back patio, which is the main source of light and allows for the main living area to be lengthened towards the exterior and to dilute the boundary with the interior. Two floors up, on the studio level, the façade retracts to ease the entry of natural light and to form a gardened terrace for Juno to play on. Two skylights were opened up allowing sunlight to bathe the levels below through the staircase.
On this house we wanted to reflect the honesty of its material, chasing the upmost comfort without the need of secondary, cladding materials. The floor slabs are left bare, merely painted, the volume on which the staircase is supported is finished with exposed stucco and the wooden panels meant to be used for shuttering act as a slab for the mezzanine level and are left with their original finishing. Vestiges of the original house are found on the exposed brick wall on the back of the plot, where the trace of the old, exterior staircase has been left as a testimony of its past.
Juno’s House synthetises the evolution of a complex and volatile project. Unforeseen circumstances became opportunities for the development of a house customized for the lifestyle of the young couple and their daughter, who was merely a year old when the works were finished.
from archdaily