Anish Kapoor 경의 스튜디오는 남부 런던가에서 20년간이나 존재했다. 2010년 이후 CFA 소속 아티스트가 일련의 인더스트리얼 건물들을 새롭게 플렉서블한 스튜디오 공간으로 바꾸는 작업에 참여하여 자재와 과정의 다양함을 사용함으로써 하나의 예술 작품으로 만들었다. 총 5개의 개별 공간으로 이루어진 이번 프로젝트는 건설기간동안 아티스트가 이 장소를 비우지 않고 지속적으로 사용하면서 공사를 진행했다.
Sir Anish Kapoor’s studio has been present on a South London street for 20 years. Since 2010 the artist with CFA have collaborated on the transformation of a series of industrial buildings into new flexible studio spaces for making art using a variety of materials and processes.
Architects: Caseyfierro Architects
Location: London, United Kingdom
Team: Michael Casey, Victoria Fierro, Sam Mc Dermott, Ana Durao
Area: 850.0 sqm
Project Year: 2011
Photographs: Ben Blossom, Jim Stephenson, CFA
The project consists of six separate spaces incrementally transformed to allow the continuous use of the site by the artist during the period of the build. The project creates a total of 3,100msq for art making.
The project brief developed through the period of the project to its completion in late 2015. Individual spaces have differing atmospheres from near
gallery specifications to robust studio workspaces. The history of the pre transformed spaces was retained with the archaeological surfaces left untreated where the artist had drawn or sketched maquettes of early work.
This project transformed a redundant diary building into new spaces for art making for the sculptor Sir Anish Kapoor.
The new building comprises of 900msq of floor area spread over two floors with three distinct types of interior. A 9 m high north lit ground floor volume created by removing a significant area of the first floor A upper level painting studio together with a ground floor 4meter high volume that retained the fabric and material of the original.
The architectural interventions provided an internal world free from external distraction and maintaining a discrete presence on the street.
The collage of brickwork of the redundant diary building reflected the history of the site through brick textures and colours.
CFA edited openings making new diffuse glazed windows within retained openings and in filling others with low grade brickwork maintaining the discordant surface of previous interventions.
