*북스토어 [ SU Architects ] Hefei 1953 Juxing Grain Post Shanghai Sanlian Bookstore

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SU Architects-Hefei 1953 Juxing Grain Post Shanghai Sanlian Bookstore

헛간과 농촌 지역. 고대부터 음식에 대한 사람들의 믿음은 농경 문명의 피의 기억에 뿌리를 두고 있습니다. 곡창과 시골이 함께 허페이 1953년 주싱 곡물 포스트 - 상하이 산롄 서점의 디자인 배경을 형성하며, 물질적 식량 저장에서 정신적 생계를 위한 저장으로 공간의 변화를 완성합니다. 건축가에게 이것은 새롭고 오래된 명제에 직면한 또 다른 도전일 뿐만 아니라 농촌 건축의 '시간성'과 '지역성'에 대한 성찰과 숙고이기도 합니다. 이 프로젝트는 허페이시 페이시현 밍촨진에 위치한 주싱 곡물 포스트 문화관광 리조트 내에 있습니다. 리조트 입구의 첫 번째 건물인 이 건물은 곡물 창고에 잠든 쌀처럼 소박하고 겸손한 모습으로 따뜻한 일상의 문화적 기억을 조용히 이어가고 있습니다.
새로운 재료와 오래된 오브제 사이의 긴장감. 원래 곡물 창고 벽은 1953년에 벽돌과 목재가 혼합된 구조로 지어졌으며, 주요 벽돌 벽돌 구조가 노후화되었습니다. 대부분의 벽을 보존하기 위해 새로운 철골 구조로 주 하중을 지탱하여 신구(新舊)의 '시간성'을 해석했습니다. 안전을 위해 남쪽 벽의 일부를 철거하고 목재 구조물로 지탱된 유리 파사드로 교체했습니다. 현실과 환상 사이에서 붉은 벽돌, 유리, 나무 프레임은 새로운 재료와 오래된 오브제 사이에 의도적으로 긴장감을 조성합니다.translate by Deeple

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Barns and Rural Areas. Since ancient times, people's belief in food has been rooted in the blood memory of agrarian civilization. The granary and the countryside together form the design background of the Hefei 1953 JuXing Grain Post · Shanghai Sanlian Bookstore, completing the transformation of space from storing material food to storing spiritual sustenance. For architects, it is not only another challenge facing new and old propositions but also a reflection and contemplation on the "temporality" and "regionality" in rural construction. The project is located in Mingchuan Township, Feixi County, Hefei City, within the JuXing Grain Post Cultural and Tourism Resort. As the first building at the entrance of the resort, it is modest and unassuming, like the rice sleeping in the granary, quietly continuing the warm daily cultural memory.

Tension between New Materials and Old Objects. The original granary wall was built in 1953, with a brick-and wood mixed structure, and the main brick masonry structure has deteriorated. To preserve most of the walls, a new steel frame structure is used to support the main load, interpreting the "temporality" of new and old. For safety reasons, part of the wall on the south side was removed, and replaced by a glass facade supported by a wooden structure. Between reality and illusion, red brick, glass, and wooden frames intentionally create tension between new materials and old objects.

Ivory Tower Illuminated from Within. The original granary, limited to its single function of grain storage, appeared heavy, closed-off, and silent. The geometric center of the roof was opened with a 1.5 meter diameter hole. By placing an extending tower-shaped space below the hole, light pours in and is focused on the midpoint of the interior space. The "ivory tower" created around the circular space serves as a natural light channel, providing a sense of ceremony while also functioning as a bookshelf. Perception and interaction occur here, open to use by nearby elementary school students and town residents as a library, maximizing the sharing of the new space with surrounding areas and users.

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