*자연 속으로 솔로 하우스 [ Mauricio Pezo, Sofia Von Ellrichshausen ] Solo House

내외부 밀착된 경험을 선사하는 세컨드 하우스, 솔로 하우스는 지면으로 시작되는 두가지의 출입문, 이를 연결하는 두쌍의 계단으로 부터 시작된다. 경사지, 아름다운 풍경이 펼쳐지는 산등성이에 위치한 지리적 특징, 그리고 이러한 지면으로 부터 부양된 인공적인 건축환경은 드라마틱한 시퀀스를 연출하며 고유한 캐릭터를 하우스에 부여한다. 내부 중정에 자리한 거대한 사각풀장은 드넓게 펼쳐진 주변자연을 건축적 제스쳐로 함축시키며 연속된 공간적 시퀀스의 클라이막스를 이룬다. 살기위한 공간이 아니다. 보기위한 공간이고 쉬기위한 공간이고, 안식을 찾기 위한 공간이고 나의 깊은 내면을 살펴보기 위한 공간이다.

reviewed by SJ,오사

This article was published in Domus 971, July-August 2013
Reaching the Solo House isn’t easy. The landscape is a tract of green heaven in the middle of nowhere in the province of Teruel, Spain.

Suddenly one encounters an endless staircase of rough concrete and, struck by contrasting sensations, one feels obliged to climb up it. Paradoxically, the house is so beautiful one gets a nagging feeling there’s something wrong with it. The Solo Houses are a project of 12 equally “curated” dwellings for use as second homes and commissioned to each architect with a carte blanche.

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Architects: Mauricio Pezo, Sofia Von Ellrichshausen
Project team: Diogo Porto, Bernhard Maurer, Valeria Farfan, Eleonora Bassi, Ana Freeze
Structural engineering: José Perez
Building contractor: Ferras Prats; Ineco, Pablo Rived
Client: Christian Bourdais, Solo Houses
Area: 3,000 mq/ 313 mq
External finishing: concrete, glass
Internal finishing: painted wood, textiles, ceramics
Project phase: 2009-2010
Construction phase: 2010-2013

However, architecture’s recent history shows that such experiments with prêts-à-consommer houses usually falter, as with Ordos 100 in China or Living Architecture in the UK.

Standing in its dominant position, the monolithic concrete structure has been devised in the landscape following a similar scheme to the same architects’ Guna House currently under construction in Chile. Materiality is a recurring theme in the architecture of Mauricio Pezo and Sofia von Ellrichshausen, and in the Solo House rough concrete and local wood constitute the basic elements.

The austerity of the design, where every space responds to a symmetrical logic, is reinforced by the toughness of the concrete and the simplicity of the furniture. The house was designed in order to forget about everything, to manifest the presence of the horizon around its entire perimeter.

Thanks to the sequence of rooms organised informally with open corners, the house can be transformed: the corners can become balconies, terraces or rooms depending on personal desires. Here one is reminded of Foucault’s words, “We are in the epoch of simultaneity: we are in the epoch of juxtaposition, the epoch of the near and far, of the side-by-side, of the dispersed.”

From the outset, the house appears as a manifestation of simultaneity and juxtaposition. To enter, one is compelled to choose between two doors that lead to the same dark space endowed with a single window. This pane of glass, however, is fitted into the wall of the swimming pool, offering a glimpse of the house’s central patio, or main room, as one gazes up through the water. This latter space is a roofless room perforated in all four directions, with the volume of water at its centre. The idea of designing the central pool as a room conveys a poetic quality reminiscent of Plato’s allegory of the cave, which describes how people may assume to be real what is in fact an illusion.

Contradiction is thus the leitmotif. Reality and illusion are always side by side, playing with the senses. The limits between inside and outside are blurred by a transparent surface, perpetually open even when it’s closed. During the summer, with the rooms open to the landscape and delimited only by curtains, one is reminded of Raimund Abraham’s House with Curtains—in both cases the ritual of dwelling is explored through the psychological conditions intuited by the concept of the archetypical house. The Solo House transforms the inhabitants’ living conditions via its spaces. Since the rooms are too narrow to change the position of the furniture, one has to accept the layout as it is. There’s no need to fill the empty spaces in this house. The owner is owned by the house.

The house is located in the Matarraña region, in the mountainous area of the Iberian System, where large zones have suffered heavy depopulation since the early 20^th century, resulting in entire villages being abandoned, especially in Teruel. In this context, one of the greatest challenges is to build houses that don’t rely on the infrastructure of nearby villages, making them self-sufficient by installing photovoltaic systems, underfloor radiant heating, on-site waste treatment and water storage systems.

It’s impossible to visit this building without questioning the need for such projects today. This house is an architectural masterpiece, a wonderful exercise with a fine result. Which makes one wonder why it’s worth building this kind of dwelling when it’s only going to be inhabited for a few months a year. Ethel Baraona Pohl, architect and editor.

from  domusweb